Fire torches
The backbone of the act: juggling lit torches, passes, throws. Reads well from the back of the room.
The part of the night everyone films.
One to ten performers who have worked with fire for over a decade. Pick how many go on and you'll see straight away how long the show runs and what's in it — torches, poi, fire hoop, cold sparks, vortex.
They're two different things, and the difference changes both the price and how the evening reads.
One person working with fire: eating flame, breathing fire, juggling lit torches. Solo means five minutes and one clear beat — the room goes quiet and everyone turns the same way.
It fits smaller events, surprise moments, or venues where there simply isn't room for more than one performer.
Built around them: several performers, music, choreography rehearsed beforehand, and props that grow with the team. From four performers up it stops being an act and becomes a moment of the evening, with an opening and a finish.
From six up, the large elements come in — meteor poi, cold sparks, vortex, fire breathing — which need separate transport and a stage to match.
Move the slider and see exactly what you get: how many performers, how many minutes, and which props go on. Every performer adds to what's already there — nothing gets swapped out.
Nine elements, added one at a time as the team grows. Each one needs different space and a different performer.
The backbone of the act: juggling lit torches, passes, throws. Reads well from the back of the room.
Weighted heads on chains, spun in wide circles. They draw trails of fire in the air — the most photographed element.
A staff lit at both ends, spun around the body. Strong performers go double: two staffs at once.
A hoop with lit arms, spun on the waist, arms and neck. This one is dance, not juggling.
The long-range version of poi. Needs floor space and a performer who has done it a hundred times.
Metal fans with wicks. Big, sweeping movement — the element that fills a wide camera shot.
Sparks without an open flame. These work in rooms where real fire is restricted.
A spinning rig that lifts a three-dimensional vortex of flame. The one that stops conversations.
Columns of flame blown into the air. Outdoors only, with the perimeter agreed in advance.
Not every room allows open flame. When the venue says no — or when you'd simply rather not think about it — we swap the fire for LED props: the same trails through the air, the same choreography, drawn in light that shifts colour as it moves.
It also mixes: open with LED indoors, step outside for a fire finale. Tell us where the event is and we'll tell you what works there.
Fire breathing · Double staff
Stefan is where every large show starts. He has performed at UNTOLD, Neversea and Hiro Bay, and at events for Coca-Cola and Qatar Airways — plus hundreds of private events, where nothing gets filmed and the only thing that counts is who's in the room.
He also trains the newer performers. When a booking comes in with a lot of elements, he decides who goes on and in what order.
Nothing gets improvised on the night. The space, where guests stand and what can be done there are all agreed beforehand, with you and with the venue.
Our performers have worked with fire at events for more than a decade. Not people who picked up the trick last week — you can see it in how calm a moment looks that ought to look risky.
It travels with the team, every time, along with a fire blanket. Fuel is stored away from the performance area, and every prop is checked before the act.
We work out with you and the venue where guests stand, how much clear space is needed and which elements can be used there. Where open flame is off the table, we move to cold sparks or the LED version.
Festivals, corporate galas and hundreds of private events.
“We booked seven performers for New Year's Eve at a private villa. Everyone filmed it. The vortex kept guests outside in the cold until the very end.”
“The gala opening had a four-minute slot between the speech and dinner. They came in at three and a half, and nobody looked at a phone afterwards.”
Message us on WhatsApp with the date, the venue and how many guests you expect. You'll have availability and a quote back within 24 hours.